"I am trying to check my habits of seeing, to counter them for the sake of greater freshness. I am trying to be unfamiliar with what I'm doing." - John Cage


Saturday, November 3, 2012

30 Poems in 30 Days: Day Three Prompt

Amid the festive atmosphere, people reveled in being so very close to the hulking vehicle that had traveled so very far away.
“It’s interesting to see how much wear it’s taken after all its journeys,” Greg Bristol, 69, said. “It’s got burn marks on it. It’s got missing tiles. It’s been through hell.”
As the Endeavour began to inch away from the parking lot (at top speeds of 2 miles per hour), people clapped and shouted, “It’s moving!” The shuttle’s wings — 78 feet from tip to tip — just barely fit between the buildings on either side of the street. - New York Times, 10/12/12
What I find interesting in this article is how these spectators are finding ways to connect with the shuttle, despite its mammoth size and non-living status, on a personal level.  It has burn marks and it's been through hell - why is this remarkable to the man?  Because of his own burn marks, maybe?

Write about something unfamiliar, out of place, from a place far far from your place, that is now in your place.  Does it have marks on it from its travels? Has it been through hell? If it isn't alive, try writing about it as if it is alive.

http://www.nytimes.com/2012/10/13/us/space-shuttle-endeavour-rolls-through-los-angeles.html?adxnnl=1&adxnnlx=1351993820-QD6PuT8MS3TJ4bdvGWgRVg&_r=0

Friday, November 2, 2012

30 poems in 30 days: Day Two Writing Prompt


Writing without Guilt
 One morning as I brushed my teeth, a spider crawled out of the drain.  It's long legs were almost furry.  I turned on the water, spit out my toothpaste, and watched the spider spin down the drain.  After I dried my face, I turned back to the mirror, and there was the spider, crawling up the sink.  I turned on the faucet again.  His legs curled under him in the universal sign of dead spider as he washed away.  What happened? A few minutes later, the spider appeared in the sink.  What did I do?   I turned on the water again. 

Write about something that you have killed, and do not include any guilt in your story.

Thursday, November 1, 2012

30 poems in 30 days: Day One Prompt

Morning Song

I wake up at 4 am to chalky light from the moon through the high narrow window above my bed. Sometimes when you can't sleep through the night, again and again, it helps to remember you aren't alone as an unskilled sleeper.  In fact, there is a whole form in poetry dedicated to this time of day, early morning, just before sunrise.  The aubade is defined by The Poetry Foundation as a love poem or song welcoming or lamenting the arrival of the dawn, originating in medieval France.  While John Donne's "The Sun Rising" is a traditional example, I read Phillip Larkin's aubade below and felt a closer connection, especially with the first 4 lines of the last stanza. Although his poem is quite dark, see Louise Bogan's "LeaveTaking" for an aubade with a very different tone.

I'll be posting a new writing prompt each day of November to support my fundraising efforts for The Center for New Americans. Today's writing prompt is to write a welcome or a lament to the morning.  You can use Larkin's poem as a model or an antithesis of your poem.  Happy writing!


Aubade by Phillip Larkin

 
I work all day, and get half-drunk at night.   
Waking at four to soundless dark, I stare.   
In time the curtain-edges will grow light.   
Till then I see what’s really always there:   
Unresting death, a whole day nearer now,   
Making all thought impossible but how   
And where and when I shall myself die.   
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse   
—The good not done, the love not given, time   
Torn off unused—nor wretchedly because   
An only life can take so long to climb
Clear of its wrong beginnings, and may never;   
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,   
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear—no sight, no sound,   
No touch or taste or smell, nothing to think with,   
Nothing to love or link with,
The anaesthetic from which none come round.

And so it stays just on the edge of vision,   
A small unfocused blur, a standing chill   
That slows each impulse down to indecision.   
Most things may never happen: this one will,   
And realisation of it rages out
In furnace-fear when we are caught without   
People or drink. Courage is no good:
It means not scaring others. Being brave   
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.   
It stands plain as a wardrobe, what we know,   
Have always known, know that we can’t escape,   
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring   
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.



Friday, October 5, 2012


Printed in The Meadow, 2011:
 
Buckeye Hot Springs
                                                                                                                      
Just down the creek lie the ruins
of Buckeye Sawmill. 
I curl around a sleeping dog’s back,
late sun sifting the crowns

of second growth pines along the bank.                              
How prosperous a place for a warm bath
after ripping and planking, the scent of sawdust
wafting in the summer of 1861.

Yet buckskinned men and roughened horses
couldn’t drag away the few ancient cedars
or single wall of trunk we passed today
gripping the loose ravine with knuckled roots,

fragments of old conversation high in the drainages.   
Extrapolate the forest from tree, tree.
The difference in species doesn’t matter,
in sleep. The dog and I share a primal warmth

of breath and soil. I’d like to think
this was how a garden slept
before language separated,
as our island splits the gentle murmuring stream now,

the sucking and trickling of soft absorption,
the bank a sponge, and myself,
as if spelled. Nearby a young stag is just knowing
the velvet brown of antlers

no taller than his twitching ears.
He dips a narrow hoof and steps across
just below our sleeping heads lined up like lovers,
leaving no difference in sound.

Monday, March 19, 2012

Blog as Personal Essay: Friends, Flight, and Norton

How Flight by Sherman Alexie and Joseph Epstein’s Introduction to Norton’s Book of Personal Essay shine some light on writing blogs
1. Writing for friends or strangers
Do people read blogs?  So many people want to write a blog for their business.  Or to sell a book that they haven’t written yet.  Or just to be heard.   An assumption behind writing the blog is that one has something to say that is interesting to strangers.  Gertrude Stein said that she writes for herself and for strangers.  Her writing is not easy to pick up, read, and feel like a friend.  Joseph Epstein says in his introduction to the Norton Book of Personal Essay, published in 1997, that to write an essay, one must imagine writing for potential friends.  I didn’t know I’d find so much insight into blog writing in an essay on personal essays.
I love quotes and Epstein has the good quotes.  He says that V.S. Naipaul has said “lucky is the writer who has found his or her true form.” Vaipaul, a well-written novelist, said that he won’t write any more fiction.  He considers the novel no longer “a useful form for conveying the complex truths of our day.” 
2. The blog is the new democratic essay
I just finished Flight by Sherman Alexie.  In it, Zits, the half-Indian teenager, time travels in other people’s bodies through violent wars between Native Americans and the FBI, General Custer and other armies, as well as modern day streets of Seattle, where people step over his homeless Indian body by the dumpster. Near the late middle of the book, Zits, aka an Indian boy in the late 1800’s, discovers that he doesn’t know who is good and who is not good anymore, which killing is right and which is not right.  “I am myself, and the white soldier my father wants me to kill, as well as the Indians he has killed, and his own family,” Zits thinks to himself while standing over a soldier’s body.
Flight makes its reader question how they know something to be true or to be right.  The reader questions even if it is possible to know something is true or right.  Well, I know what is right, but you do too, and we differ. Epstein mentions that at different time periods, various genres become the dominant form according to circumstances of the day.  George Lukacs, a Hungarian critic, predicts the personal essay may become the reigning form of the modern age, a time of transition, because it is the form for uncertainty and skepticism. 
But is the essay the form best suited for the time we live in?  Maybe the blog is the quick democratic video-version of the essay, a new form better suited for the information age. If the blog is in some ways a modern day personal essay, then the crucial element of an essay that Epstein outlines is relevant to how we write blogs; how do we write in a way that makes our personal experience significant as universal experience while still somehow distinguishing our individuality? 
3. Make our personal experience significant to others
Epstein suggests that discovering how our individual experience transcends into universal experience is the “magic” of the essay.  He says the essay is a form of discovery in which the writer tests their own feelings with a personal honesty, through a familiar style that creates an “amiable community” between the reader and the audience.  Not quite the definition of a blog, and yet, a description of an exceptional blog. 
A few blogs draw me into their text because I sense something that connects with and shines a light on my own experience.  Or the blog expresses an experience extraordinary, as Epstein writes of essays, in a manner that allows me to recognize that extraordinariness.  I would want this writer to become a friend because they have honestly shown me a bit of what makes them who they are, their own truth, and it shines some light on my own.

Friday, December 23, 2011

Newest workshop for 2012: I Have A First Draft: Shaping and Feedback

Did you participate in NanoWriMo?  Do you have a book project or longer writing project or short story that could use some motivating guidance? 

The writer John Cheever said "I can't write without a reader.  It's like a kiss - you can't do it alone."

A three part workshop series over three months. Develop your first draft into a refined piece through monthly feedback in a small dedicated group of writers while learning techniques for structuring and revising your book as well as tips on publishing.  $135. Call for more info!

10 - 1:30 pm
1/22,  2/5, and 3/11